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| 海报?封面?手画的打印字? [2009-6-9] | 笨拙的排线方式体现出强烈的个人色彩,让我不禁想起凡高大大的笔触.
It’s been a while since I stopped thinking about preserving my own style or going along the same line in works which I include in my portfolio. It happens on its own.
It is much more important for me today to show my Russian roots through my works. Even if it’s a small illustration for a small magazine or something I do for a world-famous brand, I try to include a Cyrillic writing, or a Russian Lada car, or even a Kamaz truck. It’s like a personal signature thing. Personally, I am not against digital methods, but I simply don’t use them, just as I don’t use vector graphics. It’s all very personal. Everyone chooses their own way in this. In my case, I always preferred the hand-made method.
I felt a certain magic about typefaces even before I got acquainted with computers. My parents have had loads of coffee-table books with Soviet art of the 1920-s. Back then avant-garde artists used lots of typefaces in their paintings. Still life paintings in oil on canvas with huge black letters on the background mesmerized me. I thought they were something out of this world.
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4 阅读全部内容 | | By [北邦] in [Art] at 14:23:31 | Comments[1] | 511 views |
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| Atargatis-Chris Haines [2009-6-9] | 
 | | By [北邦] in [Art] at 14:06:46 | Comments[0] | 356 views |
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